Sam offers in-person and online photography instruction. Call him at 202-531-2344 to see how he can help
you.
These emails come with the intent of helping you be a better photographer. But if you're tired of hearing from me, unsubscribe. And if you want more photography stuff to read, there's a place on the interwebs where past emails I wrote are stored. You'll find 'em in the "Newsletter Hub." Remember, I'd like to know what you want to know about photography. So, if you have any questions, email me at sam@samdamico.com.
At times, photographers ask me whether a specific camera is appropriate for Photography Basics/Introduction to Photography class. The answer is that as long as we can operate that camera in fully manual exposure mode, we’re good to go. The next question usually arises: Does it matter
if it’s a film or a digital camera? The answer is nope. But there’s a difference between the two. And considering I cut my photographer's teeth learning photography on a film camera and later adopted a digital camera
as my preferred light recording tool, I’ve got some insight into the difference between the two. The fact of the matter is, we could use either a film or digital camera and be OK with it in terms of making a photograph, but there’s a big
difference in workflow. And when it comes to learning photography, nothing beats a digital camera. Because… In short, digital is more direct. We get immediate access to the image created by the
camera, and there’s a ton of useful information embedded in the image. If we’re using film, we'd better have something to write with, something to take notes with, because we’ve got to keep track of what our aperture, shutter speed, and ISO were for every frame, and it even helps to take notes on the characteristics of the light we’re working with. What’s the Difference? - Film cameras. Besides the difference above, when we’re using a film camera to learn photography or forced to slow down because you’ve got to stop to make a lotta notes, a specific deliberative and thoughtful process comes with that. Also, before we get to see the results of our camera operation and compositional choices, we’ve got to send the film to get developed and printed, so there’s a time lag between the time we make the
picture and the time we actually get to see the picture we made.
- Digital cameras are great from a learning perspective because we see our results immediately. Everything we need to know about that photograph, including our aperture, shutter speed, ISO, and other settings, is available for us to view in that picture. What's so good about that is we can immediately see what we did, change some settings, and see what the new result looks
like.
What’s the Same? - Camera operation, composition, and light ( our raw material). When it comes to camera operation, that
includes metering, picking our aperture, shutter speed, and ISO, and focusing—all that’s the same whether it’s film or digital.
- The camera doesn’t matter as much as the photographer’s intent during their studies and practice while making a photograph.
If we wanna be better photographers, don’t worry so much about the camera unless we’re doing something specialized. Becoming a better photographer is all about learning photography, which again includes camera operation, composition, light, and the interplay of all three. No matter what camera you have, film or digital, I’ll help you be a better photographer. My Photography Basics/Introduction to
Photography class starts soon, or check out DC Private Photography Lessons for one-on-one learning.
You can also study at your own pace on Sam's Online Learning Platform.
I'll help you be a
better photographer—study and practice photography with me. There’s more
ways to learn with me below.
More ways to study and practice photography with me are below. Call me at (202) 531-2344 if you need help determining the best course for you. — A note about group class sizes: Did you know that some places that teach photography have up to 25 students in each class? Bigger ain't always better. That's why I limit my group classes to no more than five participants because smaller classes make for better, more effective, and more efficient learning experiences. But smaller classes also mean spots fill up quicker, so sign up soon.
I'll help you be a better photographer—study and practice photography with me. Currently scheduled classes are below. And what if the timing doesn’t work for you in any of my in-person scheduled group classes? Then, in-person Private Lessons suited to your schedule are always an option.
About
Sam Sam D'Amico, a professional photographer and photography instructor, helps anyone who wants to be a better photographer. He'll work with his students to increase their understanding of camera operation, composition, light, and lighting. Sam started working as a professional photographer in the mid-1980s. Most notably, from 1992 to 1997, while working as a freelance photographer, he photographed over 500 assignments for the New York Times. Additionally, Sam received awards for his work while exhibiting his photographs in shows. Sam began
teaching photography professionally in 1998 through the Highland Park, N.J. recreation department. In 2002 Sam moved to Washington, D.C., and began teaching at the accredited
Washington School of Photography in Bethesda, Md. It was in 2003 that Sam developed his curriculum and started teaching classes in Washington, D.C. In 2018 and 2022, the Sam D'Amico Photography Classes were voted the "Best of DC" art class by the readers of the Washington City Paper. Many photography teachers spend a lot of time teaching about DSLRs and rules of composition that create homogenized, rigid photographs. On the other hand, Sam teaches about camera operation, thought process, and the individual photographer's visual communication intent. This approach to teaching allows his students to use ANY camera (yes, even the camera on their phone) and break free of the rules of composition. Approaching the creative process this way allows for fluid and spontaneous photographs unique to the photographer creating them. Sam encourages his students to find their ways as photographers. He instills the skills in his
students that result in creative, engaging, and unique compositions that reflect the photographer's intended one-of-a-kind visual expression.
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