If you're a photographer working in fully automatic exposure mode, or even if you're working in one of the priority exposure modes, and you want to dip your toe into working in manual exposure mode without plunging in
headfirst, here's a real-life example of how a photographer I worked with did it.
Yesterday I worked with a 12-year-old photographer and her father.
And since I don't know if they'd mind me using their real names, I'm not.
Sara, the 12-year-old girl, was using a digital camera, and Matt, her father, was using a film camera.
Matt purchased a one-hour private lesson for both of them, which wound up being about an hour and 40 minutes; this is
why I always advise people to allow for more time than they purchase when it comes to private lessons.
But during that time, Sarah went from working in automatic exposure mode and having next to no control over the outcome of her
photographs to having complete control over the outcome of her photographs in manual exposure mode.
We achieved that by using aperture and shutter priority instead of automatic exposure mode.
We also used the metadata as the baseline for our exposure and ISO settings in manual exposure mode.
Once we were in manual exposure mode, Sarah could control tonality using aperture, shutter speed, and ISO.
Although this isn't the most efficient way
to work in manual exposure mode, it's a good start and allows us much more control over our compositions.
If you're feeling ambitious, give it a try.
Working in aperture priority, shutter priority, and manual exposure mode opens up a world of camera functionality unavailable in automatic exposure mode.
And the more camera functionality we have, the more techniques we can apply.
And remember, technique serves creativity.
The Introduction To Photography classes are starting soon.
If the schedules don’t work for
you, we could arrange a series of private lessonscovering the same material.