These emails come with the intent of helping you be a better photographer. But if you're tired of hearing from me, unsubscribe.

And if you want more photography stuff to read, there's a place on the interwebs where past emails I wrote are stored. You'll find 'em in the "Newsletter Hub."

Remember, I'd like to know what you want to know about photography. So, if you have any questions, email me at sam@samdamico.com. And for what it's worth. When you send me an email, unless someone's lookin' over my shoulder, I'm the only one that sees it.

If we photograph what we see, we'll base our composition on our limited visual experience.

However, if we photograph how we think or feel about what we see, we'll base our composition on the unique way each of us interprets what we're experiencing with our unique state of mind.

In other words, our intention isn't only an interesting two-dimensional design; our intent is an interesting two-dimensional design that also communicates our visual interpretation and communication of facts, opinions, concepts, feelings, etc.  

No two minds interpret the same thing in the same way, and when we realize that our unique interpretation of the world is the key to creating unique, expressive imagery, we realize our unique visual voice.

Our challenge is fully expressing our unique visual voice with our cameras.

If we want to express ourselves fully with our cameras, we need to have the most creative control possible, and the only way to do that is in manual exposure mode.

In manual exposure mode, we have full control over choosing our apertures, shutter speeds, ISO metering patterns, focusing modes and areas, etc.

When we have complete control of that stuff, our compositional possibilities are endless, and we can fully realize our creative expressions.

In other words, we can create visually complex photographs that go beyond a simple visual representation of what we see; we can add the complexity of our unique thought process that expresses our unique visual voice through the process of communicating our mind's interpretation of how we think about what we see and experience through our cameras.

This is the way to create unique, visually complex photographs that'll engage the eye and communicate whatever we intend.

The Introduction To Photography class starts soon. 
  
More ways to study and practice photography with me are below.

Call me if you need help determining the best course for you.

I'll help you be a better photographer—study and practice photography with me. 

Currently scheduled classes are below.

Smaller classes mean better learning, so class sizes are limited to 5 participants plus me.

But smaller classes also mean spots fill up quicker, so sign up soon. 

And what if the timing doesn't work for you in any of my scheduled group classes? Private in-person lessons suited to your schedule are always an option.

And remember, we learn and improve by doing, so practice making at least one picture daily.